I just came back from the Minneapolis/St. Paul area, where I participated in a public conversation with the artist Michael Stevenson about Signs and Wonders, his show at Midway Contemporary Art. Signs and Wonders was a fascinating reflection on the role of aviation, both as infrastructure and metaphor, in 20th and 21st century global Pentecostal and Charismatic Christianity. Through a juxtaposition of found objects and structures created specifically for this show, it meditates (in a very lateral and open-ended way) on topics such as missions in Ecuador and Papua New Guinea, the relation between the space-time of aviation and of contemporary Charismatic Christianity, tensions and resonances between dispensationalism and George Eldon Ladd’s “already/not yet,” and the role of aviation infrastructure in Third Wave moments such as the Vineyard Movement and the Toronto Blessing. If you’re in the area, and you’re interested in this mode of religiosity, the anthropology of Christianity, or the interaction between religion and technology, then this show is worth the time.
The conversation with Michael was a tremendous amount of fun, though I sadly don’t think it was recorded. Also, as a bonus, at the reception I got to meet the editors of Univocal Press, makers of excellent fetish objects/books (if you own the paper versions of anything that they put out, you understand what I mean).
When I have the time, I’ll add some pictures I took from the show to this post, though they don’t do any justice to the work.